Tag: FrightFest
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REVIEW: Here For Blood (2022)
dir. Daniel Turres When his girlfriend Phoebe (Joelle Farrow) is swamped with revision for her college exams, amateur wrestler Tom O’Bannon (Shawn Roberts) agrees to cover her babysitting job for a wealthy family. Stuck in an isolated home with a child who just wants to play video games, Tom soon realises that something is amiss…
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REVIEW: Little Bone Lodge (2023)
dir. Matthias Hoene Deep in the Scottish Highlands, Mama (Joely Richardson) seems to lead an idyllic – if secluded – existence, spending her days tending to her farm, teenage daughter (Sadie Soverall) and disabled husband (Roger Ajogbe). However when two strangers arrive in the middle of a storm, the question about who is more dangerous…
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REVIEW: Hunt Her, Kill Her (2022)
dir. Greg Swinson & Ryan Thiessen Karen (Natalie Terrazzino) starts the first shift of her new job as a lone janitor in a factory, expecting it to be long and dull evening. However, when she becomes the target of intruders, she must act quickly in order to survive the night. A fast-paced cat-and-mouse thriller, Hunt…
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REVIEW: Mother Superior (2022)
dir. Marie Alice Wolfszahn Set in the seventies, Mother Superior follows young nurse Sigrun (Isabella Händler) as she takes on a patient known as Baroness Heidenreich (Inge Maux) in a rural and near-derelict country manor. With the only other inhabitant being Otto (Jochen Nickel), the strange and elusive groundskeeper, Sigrun soon begins to learn that…
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REVIEW: #CHADGETSTHEAXE (2022)
dir. Travis Bible Expanding his award-winning short of the same name, director Travis Bible’s latest follows four influencers as they livestream themselves entering Devil’s Manor, the one-time home of a satanic cult. Continuing the recent surge of livestream horrors – such as Dashcam, The Cleansing Hour and, best of the bunch, Deadstream – what #chadgetstheaxe may lack originality it diversifies…
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REVIEW: The Offering (2022)
dir. Oliver Park Returning home for the first time in years, prodigal son Art (Nick Blood) finds himself surrounded by the Orthodox Jewish culture of his childhood. It’s an experience that’s both familiar and steeped in ritual, and – in the figure of his funeral director father (Allan Corduner) – one with a painful history.…
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REVIEW: Terrifier 2 (2022)
dir. Damien Leone Following the events of the Miles County Massacre, Art the Clown (David Howard Thornton) is resurrected by a supernatural entity and – accompanied by the spectre of a little girl also dressed in black clown paint – the stage is set for another killer rampage, this time on halloween night. As with…
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REVIEW: Everyone Will Burn a.k.a. Y todos arderán (2021)
dir. David Hebrero Following the suicide of her son, María José (Macarena Gómez) is on the verge of killing herself when she’s stopped by the arrival of a strange little girl. Together they travel back to town, but when an encounter with the police turns supernaturally violent María realises this child may be connected to…
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REVIEW: Sissy (2022)
dir. Hannah Barlow and Kane Senes Cecilia (Aisha Dee) leads a double life: online she’s a popular influencer, preaching her own brand of well-being and self-acceptance whilst endorsing face masks by Elon Mask, but IRL her flat is a mess and she’s racked with insecurities, something that comes to the fore when she bumps into…
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REVIEW: Bite (2022)
dir. James Owen Down-and-out criminal Nina (Shian Denovan) is thrown onto the streets after her girlfriend Yaz’s (Nansi Nsue) scheme goes awry. Left out in the rain with nowhere to go she hails down passing driver Beryl (Annabelle Lanyon), a seemingly kindly widow who offers her a place to stay. After a strange and unnerving…
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