REVIEW: Censor (2021)

dir. Prano Bailey-Bond. There’s a moment early on in Censor – Prano Bailey-Bond’s feature debut which builds on her 2015 short Nasty – where two film examiners discuss the history of eye-gouging. Enid (Niamh Algar) sees it purely as the latest excess of envelope-pushing “video nasties”, a depravity that needs to be quashed. Colleague SandersonContinue reading “REVIEW: Censor (2021)”


“Editors are literally the invisible man: the audience never know what was scripted and was created in the cutting room” Spoilers for SAINT MAUD Mark Towns knows a thing or two about crafting the perfect scare: after racking up awards for his documentary work, he’s gone on to cut together some of the most celebratedContinue reading “INTERVIEW: Mark Towns, Editor SAINT MAUD; CENSOR”